April 2017
May 2017
Webinar 2: Storytelling on social media
This webinar explores the best tools for telling stories on social media. Together we will explore the best kind of visual materials to use and master new media such as Snapchat and Instagram Stories, with the goal of moving posts beyond the “text + image” formula and bringing the creativity and artistry of the stage to new digital platforms.Tools: Images, GIFs, Snapchat, Instagram, YouTube
Find out more »June 2017
Webinar 3: Nuts and bolts: Running a successful social media campaign
This webinar explores the organisational tools and structures needed for efficiently running on a social media campaign on multiple channels. Topics include: coordination with other departments (PR/marketing/artistic), creating an editorial calendar, division of tasks, creating guidelines/style guide for employees so everyone can participate, and using tools such as Hootsuite to simplify distribution and community management. Join us live on our YouTube channel!
Find out more »OpenLab 3
Dub it – One voice, many languages Innovation in captioning for performing arts This OpenLab is directly connected to the creative project “Dub it”, currently being developed by the project partners Théatre de Liège, Belgium, and Teatrul Național Marin Sorescu Craiova, Romania, and a consortium for research and development from local universities and institutions. In facing the challenges of further developing captioning systems for the stage, opening theatre productions to new audiences, and imagining new ways to create with captioning,…
Find out more »September 2017
“Theater & Digital Media: A Network Event” at Ars Electronica Festival
"Theater & Digital Media" is debuting as a focal-point topic at Ars Electronica this year, September 7-11. Theater, for many an epitome of analog, strictly human-based art, has on the other hand always been a forerunner in the exploration of technologies for new forms of storytelling and stage performance. With digital and interactive media and the huge social and cultural impact of social media, a whole new chapter of overlapping interests between performance arts and media arts has been opened which goes…
Find out more »October 2017
OpenLab 4: Make Distance Non-Existant
As part of the collaboration project Make Distance Non-Existant (developed by Det Norske Teatret Oslo and the Croation National Theatre in Zagreb) this workshop at Det Norske Teatret Oslo focusses on the new digital sound technology that will be used in the two major stage productions PEER GYNT (directed by Ivica Buljan in Oslo) and THE KING'S FAIR (directed by Erik Ulfsby in Zagreb). The two national classical plays will be staged by the director of the respective other country with the artistic teams…
Find out more »OpenLab 5: The Sound of Trolls
As part of the collaboration project Make Distance Non-Existant (working title), developed by Det Norske Teatret Oslo and the Croatian National Theatre in Zagreb, this OpenLab workshop in Zagreb focusses on new digital sound technology that will be used in the two major stage productions "Peer Gynt" (directed by Erik Ulfsby in Zagreb) and "The King's Fair" (Kraljevo) by Miroslav Krleža directed by Iviva Buljan in Oslo. Both productions work with the same composer and use the latest digital sound technology. In this workshop organized by Croatian…
Find out more »OpenLab 6: Stage Your City
After the first OpenLab in Nancy, France in November 2016 on the project Stage Your City (developed by Théatre de la Manufacture Nancy, Badisches Staatstheater Karlsruhe and Kote Marjanishvili State Theatre Tbilisi) this second Lab will bring together the different strains of work on the artistic and technological side. First results will be shown at the partner meeting with all 7 partner theatres that follows the OpenLab on 25/26 October.
Find out more »International Theatre Conference “From Mythology to Technology”
Theatre is the most popular art form for many Georgians. Georgian theatre stems from a rich historical, turbulent and vibrant contemporary culture. How did it reinvent itself over the last 20 years after the independence of the Soviet Union to become an important player at the international theatre scene? And what are current aesthetics and other latest technology driven theatre practices that we not only come to discover but share across Europe? The conference aims at glancing at the future…
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